The Atlantis LP, recorded in New York in 1967 and 1968, was in effect a pair of EPs, as the two sides radically differed. Side one (tracks 1–5 on this digital release), recorded at Sun Studios, consisted of short rhythmic works arranged around the Hohner Clavinet, which Ra dubbed the "Solar Sound Instrument." This keyboard had only been on the market about a year before Sunny adopted it as a featured instrument, pairing its electronic pulses with saxophone and African-style percussion.
The version of "Yucatan" that appeared on the Saturn LP was the first half of a longer, two-part work. An edited portion of the second half, different from the first but similarly titled "Yucatan," appeared on a 1972 Impulse! LP reissue in place of the Saturn LP version. For this remastered edition, we have included both versions, herein titled "Yucatan I" and "Yucatan II" (which appears here in full, two minutes longer than the Impulse! track).
Side two of the LP featured the title track — an epic, 22-minute sonic tapestry, built around Sunny's aggressive free (or "Space") jazz keyboard improvisations, with the band sporadically joining the fray. It was recorded at the Olatunji Center of African Culture at 125th Street and Lexington Avenue, in New York, in August 1967. During this period, the Nigerian drummer Babatunde Olatunji and Sun Ra had become friends and often shared ideas on music and African culture.
"Atlantis" is an overpowering—and at times frightful—assault which refuses to coalesce into any conventional structure, and augurs Sun Ra's increasingly adventurous performances in the 1970s. The keyboards used were a Clavioline and a Gibson Kalamazoo Organ (which Ra re-christened the "Solar Sound Organ"). During this performance, according to biographer John Szwed, "Sun Ra rolled his hands on the keys, pressing his forearm along the keyboard, played with his hands upside-down, slashing and beating the keyboard, spinning around and around, his hands windmilling at the keys—a virtual sonic representation of the flooding of Atlantis." It is an uncompromising work by an artist unafraid to challenge his audience. The original 45-minute performance was projected for a full album, running across two sides. However, it was edited to fit onto one side of an LP, and is here presented in its commercially released form. A release of the complete recording is in our project queue.
released April 1, 2014
2014, Enterplanetary Koncepts
All tracks produced by Sun Ra
Tracks 1 thru 5 recorded at Sun Studios, New York, September 22, 1968.
Track 6 recorded at the Olatunji Center of African Culture, 125th Street, New York, August 4, 1967.
Sun Ra: Solar Sound Organ, Solar Sound Instrument
John Gilmore: Tenor Sax, Percussion
Pat Patrick: Baritone Sax, Flute
Marshall Allen: Alto Sax, Oboe
Danny Thompson: Alto Sax, Flute
Danny Davis: Alto Sax
Wayne Harris: Trumpet
Akh Tal Ebah: Trumpet
Robert Cummings: Bass Clarinet
Ali Hassan: Trombone
Robert Barry: Drums, Lightning Drum
Carl Nimrod: Space Drums
James Jacson: Log Drums
June Tyson: probable vocals on track 6
Tape transfers by Michael D. Anderson of the Sun Ra Music Archive
Digital restoration by Michael D. Anderson and Irwin Chusid
A Helpful Guide to the Many Sun Ra Albums on Bandcamp: daily.bandcamp.com/2017/10/13/sun-ra-album-guide
figure in musical Afro-futurism and space-jazz. Keyboardist, composer, Arkestra leader, arranger, philosopher-jester, fashion icon, cosmic guide. Born Herman Blount in Alabama, 1914, left the planet in 1993, giving Earthlings a monumental catalog of recordings that transcend genre....more
after decades of exploring the outer limits of the musical cosmos, the man from saturn returns to our solar system to give us what might be his most beautiful and peaceful work ever. essential listening. Watching Nebula